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Featured Works

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Richard Misrach photograph titled "IPS #422 (Self Portrait in Snow)", 2011

IPS #422 (Self Portrait in Snow), 2011

Archival pigment print

6 5/8 x 8 7/8 inches

Richard Misrach photograph titled IPS #1623 (Gear Shaft), 2011

IPS #1623 (Gear Shaft), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

Richard Misrach photograph titled IPS #1812 (Shoes and Fish), 2011

IPS #1812 (Shoes and Fish), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #1970 (Red Plastic Cup), 2011

IPS #1970 (Red Plastic Cup), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2003 (Muffler), 2011

IPS #2003 (Muffler), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2275 (An Eye For An Eye), 2011

IPS #2275 (An Eye For An Eye), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2499 (Cable Wire), 2011

IPS #2499 (Cable Wire), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2519 (I Love You), 2011

IPS #2519 (I Love You), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2521 (Someday), 2011

IPS #2521 (Someday), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2573 (Shoes), 2011

IPS #2573 (Shoes), 2011

Archival pigment print

6 1/2 x 8 5/8 inches

IPS #2608 (Turquoise Toilet), 2011

IPS #2608 (Turquoise Toilet), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #3516 Broken Glass Self Portrait), 2011

IPS #3516 Broken Glass Self Portrait), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #3741 (House Remains), 2011

IPS #3741 (House Remains), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #3837 (Green Leather), 2011

IPS #3837 (Green Leather), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #3885 (Ladder), 2011

IPS #3885 (Ladder), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #4153 (Log), 2011

IPS #4153 (Log), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #4626 (Turquoise Sunglasses), 2011

IPS #4626 (Turquoise Sunglasses), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #5936 (Broken Vinyl 4), 2011

IPS #5936 (Broken Vinyl 4), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #6267 (Fuji Film Box), 2011

IPS #6267 (Fuji Film Box), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #4519 (Broken Vinyl #1), 2011

IPS #4519 (Broken Vinyl #1), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

Richard Misrach photograph titled "IPS #422 (Self Portrait in Snow)", 2011

IPS #422 (Self Portrait in Snow), 2011

Archival pigment print

6 5/8 x 8 7/8 inches

Richard Misrach photograph titled IPS #1623 (Gear Shaft), 2011

IPS #1623 (Gear Shaft), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

Richard Misrach photograph titled IPS #1812 (Shoes and Fish), 2011

IPS #1812 (Shoes and Fish), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #1970 (Red Plastic Cup), 2011

IPS #1970 (Red Plastic Cup), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2003 (Muffler), 2011

IPS #2003 (Muffler), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2275 (An Eye For An Eye), 2011

IPS #2275 (An Eye For An Eye), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2499 (Cable Wire), 2011

IPS #2499 (Cable Wire), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2519 (I Love You), 2011

IPS #2519 (I Love You), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2521 (Someday), 2011

IPS #2521 (Someday), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #2573 (Shoes), 2011

IPS #2573 (Shoes), 2011

Archival pigment print

6 1/2 x 8 5/8 inches

IPS #2608 (Turquoise Toilet), 2011

IPS #2608 (Turquoise Toilet), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #3516 Broken Glass Self Portrait), 2011

IPS #3516 Broken Glass Self Portrait), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #3741 (House Remains), 2011

IPS #3741 (House Remains), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #3837 (Green Leather), 2011

IPS #3837 (Green Leather), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #3885 (Ladder), 2011

IPS #3885 (Ladder), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #4153 (Log), 2011

IPS #4153 (Log), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #4626 (Turquoise Sunglasses), 2011

IPS #4626 (Turquoise Sunglasses), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #5936 (Broken Vinyl 4), 2011

IPS #5936 (Broken Vinyl 4), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #6267 (Fuji Film Box), 2011

IPS #6267 (Fuji Film Box), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

IPS #4519 (Broken Vinyl #1), 2011

IPS #4519 (Broken Vinyl #1), 2011

Archival pigment print

10 3/4 x 14 1/2 inches

Press Release

Marc Selwyn Fine Art is pleased to present a new series of work by Richard Misrach: iPhone Studies, 2011. Misrach is one of the most influential and internationally recognized photographers working today. He is best known for his epic project on the deserts of the American West and his On the Beach series, both of which explore his unique perspective on man’s place in nature.  By exploring the social, political, environmental, and cultural characteristics of the places he photographs, Misrach has expanded the notion of traditional landscape photographic practice.  His previous subjects have included manmade floods and fires, military bombing ranges, isolated swimmers in a vast ocean, sublime night skies, and details of paintings housed in the museums of the Southwest.

This exhibition consists of new small-scale color prints taken with an iPhone camera.  Using this now ubiquitous technology, Misrach continues his examination of man’s interaction with land and seascapes.  In these intimate and experimental images, Misrach revisits Bombray Beach California, a flood zone where he examines found objects and detritus – evidence of man’s presence in the landscape.  These compositions are then deftly manipulated - positive becomes negative and objects are transformed in a reversed color spectrum. Rusty nails, children’s toys and plastic cups are battered by nature, taking on surprising and improbable characteristics that often evoke Abstract Expressionist or Minimalist abstractions.

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