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Featured Works

Featured Works Thumbnails
A drawing of a hare running in the woods

The Hare in the Birch Woods, 2023

Pastel on paper

15 x 22 inches

A drawing including the head of a hare and floating human hands and feet

Hare 7, 2022

Silverpoint on prepared paper

29 1/4 x 7 5/8 inches

A drawing of a hare in profile

Hare, 2023

Drypoint and pastel on paper

14 1/2 x 17 3/4 inches

A drawing of the artist in the studio with three hares

Translation, 2023

Pastel on paper

22 x 14 inches

A drawing of a rabbit in men's clothes

After Tenniel 2, 2022

Silverpoint on prepared paper

19 x 13 inches

A drawing of the artist drawing with rabbit ears floating above

The Hare in the Studio 2, 2022

Pencil on paper

17 3/8 x 12 1/4 inches

A three-part drawing

Studio Visit, 2023

Silverpoint on prepared paper in three parts

12 1/2 x 28 inches

A drawing with the artist looking up towards a rabbit above

Translation 3, 2022

Pastel on paper

17 1/4 x 21 1/2 inches

A drawing by Tom Knechtel titled 'Hasenblumenmondkopf'

Hasenblumenmondkopf, 2022

Ink on paper

16 1/2 x 14 inches

A drawing titled 'The Artist and His Subject'

The Artist and His Subject, 2024

Silverpoint on prepared paper

14 1/2 x 15 inches

An eight part drawing

Drawing (Beast), 2024

Silverpoint on prepared paper in eight parts

25 x 12 inches

A ten part drawing

Drawing (Flesh), 2024

Silverpoint on prepared paper in ten parts

26 1/2 x 28 1/2 inches

A drawing titled 'Will and Carr in the Studio'

Will and Carr in the Studio, 2023

Silverpoint on prepared paper

11 1/8 x 19 1/2 inches

A drawing of a hare running in the woods

The Hare in the Birch Woods, 2023

Pastel on paper

15 x 22 inches

A drawing including the head of a hare and floating human hands and feet

Hare 7, 2022

Silverpoint on prepared paper

29 1/4 x 7 5/8 inches

A drawing of a hare in profile

Hare, 2023

Drypoint and pastel on paper

14 1/2 x 17 3/4 inches

A drawing of the artist in the studio with three hares

Translation, 2023

Pastel on paper

22 x 14 inches

A drawing of a rabbit in men's clothes

After Tenniel 2, 2022

Silverpoint on prepared paper

19 x 13 inches

A drawing of the artist drawing with rabbit ears floating above

The Hare in the Studio 2, 2022

Pencil on paper

17 3/8 x 12 1/4 inches

A three-part drawing

Studio Visit, 2023

Silverpoint on prepared paper in three parts

12 1/2 x 28 inches

A drawing with the artist looking up towards a rabbit above

Translation 3, 2022

Pastel on paper

17 1/4 x 21 1/2 inches

A drawing by Tom Knechtel titled 'Hasenblumenmondkopf'

Hasenblumenmondkopf, 2022

Ink on paper

16 1/2 x 14 inches

A drawing titled 'The Artist and His Subject'

The Artist and His Subject, 2024

Silverpoint on prepared paper

14 1/2 x 15 inches

An eight part drawing

Drawing (Beast), 2024

Silverpoint on prepared paper in eight parts

25 x 12 inches

A ten part drawing

Drawing (Flesh), 2024

Silverpoint on prepared paper in ten parts

26 1/2 x 28 1/2 inches

A drawing titled 'Will and Carr in the Studio'

Will and Carr in the Studio, 2023

Silverpoint on prepared paper

11 1/8 x 19 1/2 inches

Installation Views

Installation Views Thumbnails
Installation view of The Hare in the Studio 3

Installation view of The Hare in the Studio

Installation view of The Hare in the Studio 2

Installation view of The Hare in the Studio

Installation view of The Hare in the Studio 1

Installation view of The Hare in the Studio

Installation view of The Hare in the Studio 3
Installation view of The Hare in the Studio 2
Installation view of The Hare in the Studio 1

Press Release

Marc Selwyn Fine Art is pleased to present a selection of recently completed works on paper by acclaimed Los Angeles based artist Tom Knechtel.  Known for his complex allegorical narratives, Knechtel has often employed a cast of human and animal characters to draw parallels between man and beast.  This exhibition focuses on the hare and its relationship to the artist, its human counterpart and sometime alter ego. 
 
The hare, as with other animals in Knechtel’s oeuvre, is an enigmatic and malleable vessel of meaning.  Hares, which live alone or in pairs, are full of suggestiveness and possibilities as actors on Knechtel’s  “stages”.  In this series of somewhat autobiographical drawings, the hare might inhabit the artist’s studio populated by images of the artist’s past work, loves, and obsessions.   In other works, the hare, with its wild eyes and elongated snout, appears alone in the woods or simply staring forth from an otherwise blank page. 
 
Knechtel has utilized a myriad of materials including pastel, graphite, ink, drypoint, and silverpoint to shift the meaning and texture of his images.  In the case of the silverpoints, a medium favored during the Renaissance in which a silver stylus makes precise marks on prepared paper, images appear as simultaneously concise and at a distance, due to the delicate tonality and exactitude of the marks.  This medium seems appropriate for images of the artist’s past as we remember our past in fleeting details.  In some drawings, images are broken up among several pieces of paper which act as a doorway into the studio or as a multipart narrative arching over the artist’s head.
 
Tom Knechtel was born in Palo Alto, California. In 2002 he had a 25-year retrospective entitled On Wanting to Grow Horns, which opened at the Weatherspoon Art Gallery in North Carolina before traveling to the Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, The Contemporary Art Museum, Honolulu, and the Henry Art Gallery, Seattle. In 2023, PPOW Gallery in New York presented a solo show of Knechtel's work, Drawn After Life. He has had other solo exhibitions at Grant Selwyn Fine Art, the Santa Barbara Contemporary Arts Forum and Rosamund Felsen Gallery, Los Angeles. Knechtel has been included in numerous group exhibitions at venues including The Drawing Center, New York, The Aldrich Contemporary Art Museum, Connecticut, Pomona College Museum of Art, Claremont and The Museum of Contemporary Art, Los Angeles. His work is in the permanent collections of The Berardo Collection, Sintra Museum of Modern Art, Portugal, The Museum of Modern Art, New York, The Museum of Contemporary Art, Los Angeles, The Hammer Museum, Los Angeles, The Fine Arts Museums of San Francisco, the Orange County Museum of Art and The Contemporary Museum, Honolulu. This marks the artist’s fifth presentation with the gallery.

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